Moving On

Once again I reach this point, its becoming a recurrence that is somewhat bothersome but given the events of the last month I didn't foresee that I would be reaching this kind of position again.

I will not divulge the nature of what has happened as a) it won't interest the majority of you and b) I'm sick of whinging and pining, all you need to know is that it's time for some action.

Firstly no need to belong will be going on an enforced hiatus, it may come back in the future but for the immediate one it will be dormant.

However, this is not the end, I am continuing to write for www.digitalmetal.com but I have also been kindly invited to contribute to the fucking amazing blog Killing the Legacy, run by my man xMarkusx who is one of the true few that leaves comments here, so come check us out, he posts about ill shit all the time - www.killingthelegacy.blogspot.com.

Children Of Gaia/Confronto

Finally. Here is the remainder of the split,

http://www.sendspace.com/file/qegtoj - Children Of Gaia

http://www.sendspace.com/file/0pr36c - Confronto

The warmachine keeps rolling

Germany was responsible for upping the metal factor in the new school sound in the late 90s thanks in large to Caliban and these vegan warriors, the almighty, Heaven Shall Burn. For me, Heaven Shall Burn pre-Century Media were the rightful successor to Day Of Suffering as the quintessential vegan metal band. Whilst now they are more like a straight melodic death metal band, back in the late 90s HSB were causing absolute destruction with their material. Melody was an integral feature that helped them to conjure their pieces but it wasn't utilised in such a manner that lightened the atmosphere (like later material), rather it aided in creating an even darker atmosphere that enhanced the feel and impact of their pieces.

http://www.sendspace.com/file/876feh - Heaven Shall Burn - Cold

http://www.sendspace.com/file/m6m0wh - Heaven Shall Burn - The Drowned And The Saved

http://www.sendspace.com/file/0rom1j - Heaven Shall Burn - Asunder

Now I thought this was out of print, hence why the whole thing is up (sans the 25 minute track at the end with a hidden bonus cover) but it turns out, it is available here http://www.verydistro.com/moreinfo.aspx?id=1515.

For Liberation

The wait for this album was agony. When news that Liberation had another 'vegan straightedge weapon,' ready to be unleashed I began foaming at the mouth and who wouldn't after such a proven track record? Well, when Mostomalta were unveiled they fulfilled every expectation that I personally have for a vegan straightedge band in this new millenium. This being, relentless buzzing (blackened) riffs forged as much from the classic new school of the mid to late 90s as metal (Mostomalta even sited Deicide and Emperor as prime influences). Plenty, and I do mean plenty of apocalyptic crunching mosh and of course, scathing vocals and Mostomalta excel in this department as they have not 1 nor 2 but 3 vocalists on board thus adding an even more furious dimension to their already seething brew.

http://www.sendspace.com/file/edggg5 - Mostomalta - Intersticio (title track)

http://www.sendspace.com/file/cl0ojt - Mostomalta - Intersticio

As I said, the wait for this album (well, its more like a extended EP what with 7 tracks and barely 20+ minutes of material) was agony, I checked the Liberation website constantly, waiting for snippets of information. Eventually they put the title track online and I rinsed it for months and then finally the CD became available which as soon as it was, I was badgering Marcos (the owner) for my copy.

Given that Liberation no longer focuses on third world hardcore anymore, this CD didn't get much exposure or distribution throughout the rest of the world, an absolute travesty in my mind. This of course makes it difficult to get, you can get it here http://www.001shop.com.br/lojas/liberationstore/produtos.asp?produto=17&categoria=2
but you better be able to read Portuguese or have a lot of patience navigating the site.

Otherwise, you have all the tunes here to enjoy ;)

Strength Through Diversity

Ok so sendspace has been driving me crazy this past week. I've had stuff uploading and everytime it has timed out leaving my post left in tatters (usually because I am trying to get it up before I go to work).

Anyway, so here we go again, this post is going to be super brief because I have loads to do tonight.

Subzero are an amazing NYHC band, this is their debut from 1997 and whilst its not as heavy as their later material on Stillborn and is absolutley succulent in its songwriting. The band has so much going on and each song is so diverse and different, so much so, this really shouldn't work, there are so many contrasting elements mixed here that most other bands would be botch when it came to melding them together. Subzero manage not to do this and instead create an album that is a true classic of the New York scene.

http://www.sendspace.com/file/nhmv3g - Subzero - Boxed In

http://www.sendspace.com/file/rd2xm4 - Subzero - Happiness Without Peace

Copies going here for DIRT cheap, so don't be a sucka, pick it up cuz its outta print - http://www.amazon.com/gp/offer-listing/B000005HNH/ref=dp_olp_1/102-2454382-6636115?ie=UTF8&qid=1190745164&sr=1-2

PS - I cannot find the CD, hence no artwork :(

Let's go

Discovering that there were hardcore bands in South America that were good was something of a revelation for me, more so that they were amazing. Point Of No Return laid the foundations (as some of you will know, their last album was posted up on here), but the continent's and in particular Brazil's potential as one of the new hardcore stronghold's began to manifest when xConfrontox and Children Of Gaia dropped on the scene. In fact, the former are veterans releasing their first demo (which I am looking for) way back at the end of the late 90s and have gone onto release a MCD, this split (and a European edition with Fall Of A Season) and then their monumental full length 'Causa Mortis,' in 2005. Children of Gaia ascended to one of my favorite bands in 04 when they dropped their debut full length 'I Prey To Watch You Bleed.' They toured Europe that year and played the Ieper fest which I had planned to go in order to see them but alas, financial constraints (too much hapless spending on records) and a month long sojourn in Italy meant that I had to earn before going anywhere. I've been waiting for their return ever since and I think that wait will continue until they record that cursed second full length which has been some 2 and a half years in the making, fingers crossed.

Anyway, Children Of Gaia sounded more like the Italian new school on this release, their full length was grittier and incorporated more of a mosh approach ala Terror and Throwdown mixed with their earlier style, that being what is found here which was total new school fury. Taking the best parts of Italian legends like Reprisal and Sentence and then adding the scathing vocals of Mario made this a vicious, confrontational and of course, invigorating sound that was obsessively addictive.

http://www.sendspace.com/file/ivqdok - Children Of Gaia - Gaia

http://www.sendspace.com/file/hg35oi - Confronto - Alicerce

Both bands are still active, and as stated above, Children of Gaia are working on their follow up to 'I Prey to Watch You Bleed.' Meanwhile Confronto toured Europe this summer (and should have come here but didn't :( ). This record has now gone out of print since Liberation dropped the x's and decided to be a vehicle for releases for Trustkill, Century Media and Ferrett in South America, so hit http://www.ebay.com/, however, there is a copy here - http://www.pyrrhus.be/scripts/prodView.asp?idproduct=187075 but as I have said in the past with this webstore, they can be a little slow.

Meanwhile the Confronto full length and Euro edition of this split (with Fall Of A Season, whose songs were awesome) are avaliable here - http://www.verydistro.com/search.aspx?typeofsearch=artist&keywords=confronto.

Please be aware that the rest of the tunes will be going up, the reason they haven't is due to my internet connection being a fucker and crashing before the main bulk of the files have uploaded.

Kicking back

I was informed that the Kickback files went down, so here it is for those of you that need it.

http://www.sendspace.com/file/bgowpm - Kickback - Les 150 Passions Meurtrieres

For those of you that don't have it or think you don't need it, you do.

I will return...

It's been a while. Too long in fact. Well, I will be coming back, posting will be resuming this week, I had time to think in Japan and I decided that giving up was to easy, I'm carrying on with this, so stand by, cause a storm is brewing.

A confession

I've been putting this off. Everyday I think, must update the blog, and everyday I let myself down, and I feel terrible for doing so, what's more, I had made a pact with myself to keep it updated daily when I got back from holiday...Fuckin' rubbish, that's the only words that can describe this situation, but the truth is, its such a struggle for me to fit this in and do it properly. Since coming back from holiday, work has been much tougher, they are loading me up with more stuff and I am having to learn more all the time, which is great but what it means is that when I get home, my brain is fried.

Furthermore I am now playing football on a Monday night, go out on Thursday nights to see the family and then weekends...well, they disappear in a flash. What's more annoying is that I had a ton of stuff ready to go up, but sendspace has been annoying the shite out of me by crashing or deleting the files and to be honest, when I get home from work, I do not want to sit in front of the PC for an hour and a bit, uploading this shit for the site to crash out and mean I have to start all over again.

So enough with the excuses, what's the future??

Well, I don't know. I am going to Japan on Tuesday for the Bloodaxe fest which I can't wait for, so I think I will do a similar feature as to what I did for Pressure Fest. After that, I really think I may stop, for one thing, I hate the look out of this site, I am useless with design, know absolute sweet FA when it comes to coding html and other tech stuff and also, my membership with sendspace is up in a bout 15 days, and seeing as I haven't duly used it during the last 3 months, I won't be renewing it, so download everything you want ASAP.

I always wanted to do this, but this technical frustrations have proved to really bring it down, like I said, I hate the look of this page, its clunky, drab and just downright dry to look at.

Before the sendspace membership expires I will upload a few more things but that won't be until at least the 30th, so until then...

Undoing the ruin...

OK. Don't click away until you've at least read the opening paragraph. I know, I know, Diecast are a little bit…how to put it gently??? Poppy, fluffy, cute, generic…?? Maybe a combination of all of those, but that's Diecast today, this is their first release, the very first release, with the complete original line up, when it was most important to create complete destruction. Now, despite those derogatory comments above I will confess that I own 2 Diecast albums post 'Undo,' and enjoy them, but I know they aren't great records and if you came to my house, I'd probably hide them, but this beast, no fuckin way.

Together with the musical shift that the band has endured since this EP has duly affected their overall composition. Granted that there isn't a single original member left one may indeed ask why they continue under the moniker. Regardless, I'm rambling here and rapidly digressing from the point, being that as their music changed, so did that all around them as they have gone from touring with All Out War, Dying Fetus etc to Sevendust.

Quite a paradigmatic shift if I don't say so, so see what you think,

http://www.sendspace.com/file/vofrdv - Diecast - Undo The Wicked

http://www.sendspace.com/file/v5shzx - Diecast - Unlearn

Now for some reason, I thought this had been reissued with their record 'Tearing Down Your Blue Skies,' but from browsing on Amazon, this doesn't appear to be the case.

So, there are copies of it at Amazon here http://www.amazon.com/gp/offer-listing/B000055XGU/ref=sr_1_olp_6/103-5664014-9461432?ie=UTF8&s=music&qid=1184179106&sr=1-6.

But the price is ridiculous, unless you're in Europe (or the UK) then it's not too bad, if you want a cheaper copy, then watch http://www.ebay.com/

Justice is done...

When people lament that hardcore 'aint what it used to be,' (especially one of my older, more esteemed friends), I can kinda see where they are coming from. Certainly the message isn't as prevalent anymore, and what with multiple violent straight edge crews popping up and laying the smackdown on anyone and everyone it's not difficult to begin to agree with this thinking. Furthermore, there aren't compilations like this anymore, not only was 'Justice For The Enslaved,' crammed with awesome bands and songs but the proceeds were being used for various causes by the label (the UK's Sure Hand records, who released a 7 inch by Above All)that at that time (animal rights of course being at the forefront) were bound to hardcore, whereas now, its all about printing provocative t-shirts then trying to fight for what's right.

What's interesting about this compilation is the absence of American bands, clearly veganism and straight edge was no longer as strong as it once was in the US but in Europe and elsewhere (South America), it was still strong, still thriving. The more I hear these songs, the more I wish that some of these bands had been able to put out more material. Fortunately the finest on here (Point Of No Return & Reprisal) did, but others, especially Dehumanize & Clouded, contributed their finest material on this compilation and then left us with little else. The former went on to release a MCD in the early 2000's but it was more noisecore and not the creepy blackened hardcore found here. Clouded disappeared without trace, a real shame because the progress from their debut 7 inch/mcd to these tracks promised something really special.

As for the rest, see what you think,


http://www.sendspace.com/file/q5axko - Clouded - Revel In Oblivion



http://www.sendspace.com/file/ajqnoc - Dehumanize - Hung



http://www.sendspace.com/file/60bl4f - Reprisal - Pleniluno



http://www.sendspace.com/file/c4jhk9 - Justice For The Enslaved Vol.1

Sure Hand was a great label, and put out some quality stuff, sadly, all of its out of print, so you'll have to scoure around for it on channels such as www.ebay.com, I will be putting some more stuff up, so watch out for that. Also, you can check out their www.myspace.com/surehandrecords.

Pressure Rising...

Yeah I know, I know, been way too long, but I hadn’t realised how goddamn demanding holidays are, anyway, I’m back now and slowly getting back to normal, so posting will be getting back on track this week.

Now I’ve longed to do this for aeons, in fact, I wanted to do a Japan report last year when I visited that country but, I was unable to do so, due in large part to the severing of my tongue and the lack of will to do anything remotely creative. Still, I’m going again this year, so maybe a report this year will come to fruition, who knows, anything’s possible.

Regardless of Japan, without further a do, I bring you, PRESSURE FEST 2007, the low down.

NB – no cameras were allowed inside, so no pix, sorry guys.

Day 1

So I’d taken the train from friend Kat who lives in Bonn (the former capital I was surprised to learn, where the hell was I during Geography and History lessons???) to Essen, checked into my hotel and kipped for an hour, then decided to get moving as I didn’t want to miss Bun Dem Out.

Upon arriving a familiar scene greeted me, this being the ominous concrete structure of the Gysenberg Hall and the milling around of various hardcore kids from all over the globe (more so this year then when I came in 2005). So I got to it, diving into the queue I sort to get my wristband for the following 3 days and did so rather swiftly.

From there I joined the queue to gain entry to the venue and in there I found many, many kids from London (some I knew that were coming and others (to my great surprise) that I didn’t).

Anyway, we get in, and the first band of the day is BUN DEM OUT (7.5), this band have been tearing shit up in London for a while now, but have grown immensely since putting out their MCD on Rucktion earlier this year. Their violent mix of beatdown and scything slayer riffs (ala prime Arkangel and 50 Caliber) get the floor moving, represented in large part by the London Headz. They end their set by covering “All Will Suffer,” by Shattered Realm and are joined on stage by none other then Joe Hardcore to send the crowd into a barmy frenzy.

Quality start.

ANIMOSITY (8) follow, burgeoning with confidence they blaze onto the stage with one of my favourite tunes ‘The Black Page,’ they then proceed to slam a visceral set and include a grinding new tune set to feature on their upcoming new record ‘Animal.’ I’d seen RISE & FALL (7.5) earlier this year with the Hope Conspiracy and they impressed me but they were far more powerful on the big stage here and churned out a cosmic half hour which in turn rendered their ripping metallic hardcore brew all the more enticing. One of the first big attractions for me this weekend was LENGTH OF TIME (8.5), the last time was enjoyable (Goodlife 2003) but more of an imitation of the real thing (I think only Kirby was the original member at Goodlife) but this, this was the real deal, the original line up. They kick off with a triplet of tunes from their awesome EP ‘Shame To This Weakness Modern World,’ including the immortal ‘Thought Of The Enslaved,’ and the broody title track. They follow that up with a triplet from ‘Approach To The New World,’ closing with the apocalyptic ‘Do What Must Be Done.’

Awesome Shit.

JOB FOR A COWBOY (7), the world’s most loathed myspace darlings find themselves being thoroughly adored by the German crowd. There were a lot of JFAC t-shirts and hoodies (yes hoodies, it was fuckin cold that weekend) on display, thus there was a feeling of anticipation for their performance. Now I mentioned in my review of their album for Digital Metal that when I saw them play with Unearth earlier this year, the newer material paled in comparison to that of ‘Doom.’ Again it was the same scenario here but with one difference, the new material is beginning to sound more natural live, more powerful but still, when the band drop their hits from the EP they are a wholly different proposition.

Still as I said in that review, the band’s got potential, they now need to channel it justly too move forward.

Performance of the day has to go to KNUCKLEDUST (9), goddamn; it’s so crazy seeing these local boys tearing it up on such a massive stage, but crazier is the reaction stimulated in the crowd. They go fuckin ape shit, APE SHIT, I included (how could I not). From ’25 Years Dead,’ all the way to ‘Against All Odds,’ the band don’t miss a beat, despite bassist Nicky not being present (filled in by Pieman from Hellbent Diehard) and they band stating that they are ‘playing like shit,’ nonsense, they licked it.

I was pretty monged after that and I also stumbled into my good Swedish friend Love just before AS I LAY DYING, so I didn’t really watch the band. Furthermore, he secured a yummy carton of chocolate Soya milk. Unable to resist we took it to the back of venue and savoured it during their set and ended up missing almost all of it, or at least a significant proportion that negates me from reviewing it fairly.

CONVERGE (8.5), are so good, even headlining a big fest, even if I do feel they suit a tighter, smaller environment. Still, they play a great set, drawing largely from their last 3 albums but pull out the older classics (I loved it when they played ‘Forsaken,’ and ‘Locust Reign,’) to keep older headz like myself grinning.

So a pretty hot start to Pressure, good mix of bands, good dancing and awesome treats (Soya milk and vegan cookies), day 2 with its line up, could only be better…

Day 2

Due to major beef getting inside (god knows why), I miss NASTY, which bummed me out cuz I was really looking forward to dancing to them and the chances of them coming to the UK anytime soon are pretty unlikely ;( So I prepared myself for the inevitable bore fest that is BRING ME THE HORIZON (-1000) but fortunately for me (and a great deal of others), the band didn’t play, rumours started flying around that they felt they should be higher up the bill and chose to deliberately ‘miss,’ their slot in order to demand a higher one. Well if this is true then they are a bunch of pretentious prima donnas and of course, wankers, in fact, they shouldn’t have even been at Pressure Fest, so they should have been grateful to have even got a spot.

Still, it meant that the other bands got to play a bit longer (I think anyway) so BLACK FRIDAY 29 (7.5), impressed with their stout but endearing hardcore. They are certainly growing in stature as this performance was far stronger then 2 years ago. Furthermore, new material is set to be released soon, so watch out for that. SIX FT DITCH (8) are notorious for their violent shows, so the proposition of them playing a fest with a massive floor and plenty of kids willing to bust out every move imaginable is a recipe for pure, but fun mayhem or complete carnage that leaves many broken, bruised and very, very pissed off. Well it was a mixture of the two, there was much carnage to be had and most people didn’t seem to care about getting hurt but what can you do? Get on with it is what I say.

One of the main attractions of Pressure Fest this year was the amount of ‘special,’ guests they had roped in too play exclusively, CASEY JONES (8.5), being one of them. Shit, I hadn’t realized how addictive these boys are as their set made me rue not giving their records more attention so that I could have been up their screaming along too, next time. German powerhouse SETTLE THE SCORE (8), have really come along since their first MCD, and to think that they were struggling away playing any show possible not that long ago…Their set is direct and to the point and gets not only plenty of crazy dance moves going but a tremendous circle pit that threatens to engulf everyone in and around it (as if it was some crazy whirlpool).

Yet another ‘special,’ guest was THE WARRIORS (7.5), I had been looking forward to see what material this band would plum for as I equally like both records but knowingly accept that ‘Beyond The Noise,’ isn’t as well suited live in comparison to ‘War Is Hell.’ I think the band obviously know this as they played it safe, culling the majority of the set from ‘War Is Hell,’ and throwing in a new tune from their forthcoming album on Victory.
Sadly there was no Rage Against The Machine cover.

Although I like PARKWAY DRIVE (7), on record, last time I saw them, I was bored to tears, not so here, they smash it for half an hour, nuff said. Stupidly I missed HAVE HEART (8.5), when they toured the UK earlier this year, and was kicking myself for quite a few weeks, thus I was delighted to have the opportunity to sample them here and based on their performance I will not miss their upcoming Euro tour. From start to finish it was a cathartic, engaging and above all, emotional set that was so captivating that it was impossible not to turn my head away. Every beat was amplified tenfold, every riff more so, and Pat Flynn stalked and stomped on the stage like a complete lunatic.

This set me up for what should have been the undoubted highlight of the day and not only that, but of the festival. Unfortunately ALL OUT WAR (6) failed to ignite my enthusiasm and the majority of the crowd. In fact, I still can’t believe how underwhelming their set was, things started with a bang via ‘Soaked In Torment,’ and had me thinking ‘this is going to be fucking CHAOS,’ but after that, the atmosphere, the band, got flatter and flatter, even classics like ‘Claim Your Innocence,’ and ‘Truth In The Age Of Lies,’ got a very lukewarm response.

That ruined my day, and after their set I just wanted to get out of there so I didn’t watch UNEARTH or SICK OF IT ALL.

Day 3

Even a hearty breakfast couldn’t banish the thoughts of last evening’s performance by AOW, and had me thinking, either my expectations were too high, or my judgement was correct and AOW played below par. Either way, today was a clean slate and I wasn’t going to let one disappointment affect the rest of my weekend.

Sunday being Sunday I rose slightly late so I can’t tell you what RESISTANCE were like, bad metal is what I’ve been told. Far from bad though, in fact far closer to absolutely awesome were IN BLOOD WE TRUST (8.5), talk about waking the crowd up on a Sunday, shit, it could have been anytime, anywhere, I cannot wait for this band to release some new stuff. The next hour and a bit was dedicated to DOWN TO NOTHING (8) and INTERNAL AFFAIRS (7.5), both utterly furious and both blazingly fast. However, neither managed to conjure the mayhem or match the fury of SWORN ENEMY (8.5), plying through both full lengths the enemy came, saw and quite rightly tore Pressure a new ass. A definite highlight for me was mounting my mate’s back and charging through the crowd during ‘Sworn Enemy.’

After that bruising set I decided to chill for MISERY SPEAKS, so the next band was DO OR DIE (7.5), now this set was much better then two years ago, where they aired more from ‘Tradition,’ (which was awful), but here they focused on their first two records. A wise choice by the band, because that material is so much stronger and powerful, so it’s a no-brainer that it goes over better live. I had strayed outset again, thus missing a tad of SHATTERED REALM’S (9) opening but made it back just in time to get the kicks out for ‘All Will Suffer.’ No matter how many times I see this band, it is always, always high quality. ‘From The Dead On Blocks,’ has grown on me a lot and it was good to see that tunes like ‘Final Day,’ were getting as much response as ‘This World Is Mine.’ The band are set to return to Europe later this year, but according to Joe Hardcore (who I learned was edge), he may not be joining them as he is facing imprisonment based on murder charges. My best wishes are with Joe and I hope he doesn’t get locked down.

My expectations were exceedingly low for EVERGREEN TERRACE (8), but maybe that’s why they surprised me. They were excellent, and far, far better then their London performance on the Hell On Earth tour a few years ago. I hadn’t listened to them for ages, so their tunes had become a little hazy, I recognized the odd one here and there but for the majority I was listening to these tunes with fresh ears. Either way, the band ruled, end of story.

For some reason, I always watch WALLS OF JERICHO (8.5), don’t know why, as this is a band I listen to regularly and know their tunes very well. Never mind, the rest of Germany made up for my lack of participation, going 7 shades of ape shit throughout their performance, pulling on material from all of their records, and closing with the rousing ‘Revival Never Goes Out Of Style.’

So the festival comes to a close, and brings us the almighty EARTH CRISIS (8.5), for some people this was the only reason to come, for others, well shit, clearly they had departed after Walls Of Jericho because by the time eXc hit the stage, the venue was noticeably emptier. A bit of an insult if you ask me, considering how influential and damn right important eXc have been to the history of hardcore. Fuck it. It was more space for me to dance.

Now the set was interesting. No tunes from ‘Breed The Killers,’ were aired (ridiculous if you ask me) and yet one from ‘Slither,’ was (‘Killing Brain Cells,’ which sounded miles better then when I last heard it). In the end, they played it safe, playing all of ‘Firestorm,’ (sans ‘Forged In The Flames,’) and all of ‘All Out War,’ (sans ‘Ecocide,’ another glaring omission). The departure of people actually turned out to be a blessing as it allowed me to get really close to the stage, so close in fact I was able to scream some of the words to ‘No Allegiance.’

The rest of the set was made up of 4 tunes from ‘Destroy The Machines,’ including the crushing (as well as one of my all time favourite songs) ‘Wrath Of Sanity,’ and 2 from ‘Gomorrah Season Ends.’ The closed the set with the immortal title track from that album before launching into ‘Firestorm,’ and that was it, done and dusted for another year.

A Well Earned Rest...

I was hoping to get something up tonight but it hasn't been that easy. Tomorrow I leave for Germany and Pressure Fest, then next week I'll be in Bulgaria, however I will be returning to blighty for one day in between these two trips, so expect a flurry of activity in that (no doubt) hectic 24 hours.

Until then, you have plenty to saviour and listen to.

Smashing The Silence

This shit is crazy. Fuckin crazy. Way nuttier then their following releases and way better then anything by the band's successor, Daughters (although to be fair, only when member of As The Sun Sets went into Daughters, and he didn't even play on this album). Damn, I remember this being one of my obsessive, elusive albums back in the early years of this decade, together with Coalesce's 'Give Them Rope,' and some other chaoscore records that I couldn't find at the time (names which escape me). So how delighted I was to find that this record came back into print, be it limited, and was available through my favorite online store, www.verydistro.com!! I ordered that shit quicker then it takes me to finish a bowl of pasta (and I eat quick), and awaited eagerly till the day that it dropped through the letter box.

What confronted me was barely twenty plus minutes of unhinged, unrelenting fury that was so utterly caustic and morbid that it left me dazed after each sitting. Even now as I play it through earphones, 4 years since getting it, the same affect is encountered. Now if I am not mistaken this record dropped around 1999, the same year as another musical apex, namely 'Calculating Infinity.' Now whilst the latter has become one of the defining records of my musical generation it should not be used as a point of reference for this band. No doubt As The Sun Sets knew of Dillinger and despite there being parallels between the band's musically, As The Sun Sets do not rip Dillinger off, which is the ignorant, lunk head commentary that I have heard in regards to this band.

Check it,

http://www.sendspace.com/file/z7tsbn - As The Sun Sets - 'Carpathian'

http://www.sendspace.com/file/rr89z1

- As The Sun Sets - 'Each Individual Voice Is Dead In The Silence.'

This record floats in and out of print, so grab it here while you still can - http://www.verydistro.com/search.aspx?typeofsearch=artist&keywords=as+the+sun+sets

Burn it all down...

Its stupid you know, I've developed a really, really silly habit of buying things on a whim and not investigating properly before. Good thing I'm not overly fussy, otherwise I would have sold off most of my collection by now. Anyway, I digress...right, this habit has been cultivated either by a vague memory of reading something, somewhere about a band or hearing someone, somewhere saying something about a band. Mostly (in fact, luckily for me, mostly) this hasn't resulted in a detrimental outcome and I've liked what I've bought on that whim, other times I haven't been so lucky, and sometimes, sometimes, it has reaped a real surprise, like this evil mofo here.

The record was released in 1998 on Uprising, a label that has confused me profusely ever since I got into hardcore. They have released some quality records, but a lot of their stuff leaves me indifferent, especially these days. In fact, even in the label's super vegan militant guise, there was still the tendency to drop the odd clanger here and there. Not so with this baby though. Taking a smouldering Deadguy framework (I definitely hear a dissonant influence from that band) and melding with absolutely crushing riffs that verged on death metal Esq ferocity, Racetraitor showed that they were not to be taken lightly. Typified further by the lengthy essay in the booklet which highlights various ills of man.

http://www.sendspace.com/file/zab9f0 - Racetraitor - 'Path To Misery'

http://www.sendspace.com/file/b4zda0 - Racetraitor - 'Burn The Idol Of The White Messiah'

Hilariously, members of Fall Out Boy did time in this band, and most of them members at one time or another went on to endeavors that were of that ilk.

If you're feeling this darkness, then grab a copy, as they are going here for a pittance - http://www.amazon.com/gp/offer-listing/B00003TFTE/ref=dp_olp_1/105-7035375-1706820?ie=UTF8&qid=1182228427&sr=1-1

Second Strike Is Fatal...

Goddamn. One of the heaviest, most brutal mid 90s bands that's for sure, Unconquered were not your typical West Coast band of that time. Whereas the likes of Mean Season, Outspoken and Unbroken, were heavy, they were far more intricate, even graceful, thus none of them could match the sheer weight of Unconquered who chose to forgo any melodic meanderings. This was their debut (or they may have had some 7 inches before…I think not), and was released on xLifesentencex and like so many of that label's early releases, it has become a long lost treasure, that time (as well as the label) has not been kind to. The former due to that Unconquered are not openly acknowledged as a band of note from the 90s, in fact, I imagine that many would cast them off as a bad Earth Crisis clone (sheer nonsense). Obviously xLifesentencex didn't say much shelf life in this record and thus let it lapse into out of print obscurity, meaning for those who want it, you have to hunt.

Anyway, decide whether Unconquered were just a poor man's Earth Crisis,

http://www.sendspace.com/file/lghizl - Unconquered - 'You Say Moderation, I Scream Prohibition.'

They would go on to release two more records, a full length on Lifeforce (the supremely heavy 'Wall Of Time,') and Sober Mind ('The Program,') before disbanding. The singer Jason went on to form www.myspace.com/xxxforevertruexxx, who seem to have entered into hibernation, there has been nothing from that band for months.

In regards to this record, you'll have to hit http://www.ebay.com/for it.

First Strike Is Deadly...

I've been in two minds about this one since starting this blog and have continued to churn it over in my mind whether to feature it or not. Well a very gracious and complimentary reader convinced me to do so (lookin at you Adam ;) and thus, I bring you one of the best (if not the best) vegan straight edge records ever, 'The Eternal Jihad.' Beginning in the mid 90s (around 1994) the band formerly went by Falling Down and released an absolutely brilliant 7 inch. They then became Day Of Suffering and the name change seemed to inspire an even more apocalyptic feel to the material. From start to finish 'The Eternal Jihad,' is a maelstrom of vicious metallic fury, burning riffs corrode and collide with John's seething vocals.

All the fury is dexterously maintained and carried by Paul Hart's beats, just check the start of 'Shade Of Red,' every time I hear that intro I thump the beat on my chest! The band laid the foundation for two other North Carolina greats to arise, these being Undying and Prayer For Cleansing and on top of that, most vegan bands (or bands that sound like mid 90s vegan bands, i.e. JAPAN) that have a metallic tinge sight Day Of Suffering as an inspiring force (Eye Of Judgement even carried this album's title track on their recent US tour).

See what you think,

http://www.sendspace.com/file/0httxn - Day Of Suffering - 'Shades Of Red.'

http://www.sendspace.com/file/lhxq4a - Day Of Suffering - 'Visualize Industrial Collapse.'

http://www.sendspace.com/file/m0a646 - Day Of Suffering - 'The Eternal Jihad'

The band quit so before their time. Apparently they were moving towards an even more metal direction as Monster told me that the released a track towards the end of their time that sounded like Cradle Of Filth!!!! Crazy. Anyway, if you have been following this site for a while you will be aware that some of the guys went into Sennacherib, who I posted about before, the others…boh, no idea, singer John was playing guitar in a more rock orientated band but I think he has now quit (cannot for the life of me think of their name).

As always, this record is out of print, label http://www.xcatalystx.com/ have had a reissue in the works for some time, but as of yet, it hasn't surfaced. What's of more interest though, is that a second disc is planned featuring all the band's rare and unreleased material, including that aforementioned Cradle sounding track, a cover of Gorilla Biscuits and the tracks from the Falling Down 7 inch.

Until then, savour the fury of 'The Eternal Jihad,' and check http://www.ebay.com/ for an original copy.

Fighting back

Like so, so many, Krutch slogged their guts out and reaped immense respect from those in the know, but they never received the widespread recognition that they deserved. Sure they were known back then, but how many bands openly acknowledge Krutch as influence in comparison to say Fury Of Five or Bulldoze or Second To None? Not many and that is indicative of how few people knew about Krutch, and what’s really sad is, like Spirit Of Youth in yesterday’s post, time hasn’t been kind and not many people are going to actively seek out the band’s back catalogue.

Well, I am going to try and change that here.

‘I’ll See You In Hell,’ was a daring record. 18 tracks would lead one to think that there is a lot of filler on board, but this isn’t the case, the record is beautifully paced and each song has its own distinctive feel. What’s amazing though is the amount of tracks the bands penned that have a grungy but acoustic Alice In Chains feel, and are very, very mournful, certainly makes a contrast with bruising numbers like ‘BFL.’

See what you think,

http://www.sendspace.com/file/d48fef - Krutch - W-O-T

http://www.sendspace.com/file/cp87cl - Krutch - I'll See You In Hell

The band’s follow up ‘Whatever It Takes,’ was also excellent and the band continued to tour until disbanding in 2003. Members can now be found in Boxcutter, Wisdom In Chains and some other BFL bands.

I have seen copies of the record here - http://www.rucktionmusic.com/ and here, http://www.verydistro.com/moreinfo.aspx?id=14177 , so pick it up!!

For Those Unsung...

You know, I used to mix up this band with another one called Sportswear, god knows why and god knows how because both sound completely different in spite of them sharing the same label. Anyway, Spirit Of Youth are a band that time has not been kind to, they never ascended to the heights of fame (well, as famous as you can get in the hardcore sphere) and recognition that the likes of Congress, Liar, Arkangel (and a whole laundry list of other Belgian luminaries) have been bestowed with and are certainly not as enamoured as those bands. Granted, they weren't as innovative as any of those bands (as well as others from Europe and Belgium) but they were writing excellent, but above all sincere, heartfelt music that in my mind deserved my recognition then thy received.

I've had a really hard time nailing exactly how this band sound as they were not atypical of the H-8000 madness that was rife in the mid 90s. That's not to say that they didn't sound that way as they do have elements of that style (particularly those accented vocals which bring to my mind their brethren Kindred) but its a less extreme variation of it. The likes of Liar and Congress were maxed out metal and holy terror hardcore (particularly the latter), Spirit Of Youth had their influences too but mingled them closer within one another so that their sound was purely holistic, thus making their influences that much harder to trace, hence my difficulty.

Anyway, see what you think,

http://www.sendspace.com/file/ipxbde - Spirit Of Youth - Puritan

http://www.sendspace.com/file/opkzgj - Spirit Of Youth - Colors That Bleed

What happened to this band and its members is unbeknown to me, anyone with info, fill me in :)

So if you like it, grab it - http://www.verydistro.com/moreinfo.aspx?id=1028 or http://www.goodliferecordings.com/webstore/

Step Up...

From the deepest depths of New York's underground comes this long standing hardcore unit, who are easily one of the best bands that that immortal music capital has given birth too. Taking all elements of what makes NYHC so good and so addictive, Everybody Gets Hurt conjured a dark, confrontational and mercilessly tough record that should be on a hardcore label of reasonable standing, if only to keep this masterpiece in print. EGH first came into my sphere of consciousness on the European tour in 2002 and garnered a reputation amongst the hardcore heads as one of the best bands to come forth in a very long time.

Now trust, despite the artwork (which is actually quite awesome, but doesn't quite capture the genuine feel of the music), this record epitomizes that over referenced (but always true) cliche of not judging a book by its cover. Regardless, this shit moves, I mean we are talking nearly 50 minutes of pure, unrestrained New York hardcore with no breaks, no respite and constant quality. The material is bolstered by a seriously good production, amazing considering that the record was self funded.

http://www.sendspace.com/file/tloldx - Everybody Gets Hurt - Weightless

http://www.sendspace.com/file/7cbslv - Everybody Gets Hurt - Hymn Of The Fallen

http://www.sendspace.com/file/0hgxqb - Everybody Gets Hurt - The Dark Seeds Of Man

EGH are still around, keeping active but not releasing much in the way of new material. They have been back to Europe twice, playing Ninja Fest in 2004 (actually that was their sole euro appearance that year, and this was the same edition as that infamous Six Ft Ditch show) and then back again in 2005 for a more extensive sojourn. They debuted some new songs at Ninja Fest and then released a split with Settle The Score and TJ Maxx and the material from that split featured the a second vocalist who has now left the band. They then released 'Demo Daze,' in 2005, featuring most of this record (be it, in a much rawer form) and some other tracks, that, unlike 'The Dark Seeds Of Man,' is still obtainable, and there are in fact some copies here - http://www.goodliferecordings.com/webstore/, as for this record, watch http://www.ebay.com/ and keep an eye on www.myspace.com/everybodygetshurt.